Course Description

In this course, students will examine contemporary philosophical, historical, aesthetic and epistemological topics by addressing the evolution of discourse from the Enlightenment into the 20th century. A comprehensive selection of theorists and critics who address visual semiotics and the taxonomy of imagery and ideas will be introduced. Active discussion and participation will be a core requirement.

Tuesday, July 24, 2012

NEXT CLASS

Re-Reading Edward Weston: Feminism, Photography and Psychoanalysis by Roberta McGrath

Cindy Sherman: Burning Down the House by Jan Avgikos

The Photograph as an Intersection of Gazes the Example of National Geographic by Catherine Lutz and Jane Collins

Friday, July 13, 2012

NEXT CLASS

Next class:

I.   Two page  paper on gallery exhibition with a concentration on identified artist(s).

II. Ten minute presentation reflecting your thesis and perspective identified in your paper (please be sure to include images to support your thesis).

III.  Reading (please post your reaction to the reading to our blog):

Liz Wells
Words and Pictures: On Reviewing Photography


If you have any questions please feel free to contact me.

Tuesday, June 19, 2012

READING

The Shadow of the Object: Photography and Realism by Sara Kember
Photogenics by Geoffrey Batchen

Wednesday, June 6, 2012

READING

Photography and Fetish by Christian Metz
Winning the Game when the Rules have been Changed: Art Photography and Postmodernism by Abigail Solomon-Godeau
The Crisis of the Real: Photography and Postmodernism by Andy Grundberg

Note: Peer Review project due class six.

Tuesday, May 29, 2012

Readings due: 5/30

Rhetoric of the Image by Roland Barthes 

A Photograph by Umberto Echo 

Looking at Photographs by Victor Burgin

Sunday, May 20, 2012

Readings due: 5/23

On the Invention of Photographic Meaning by Allan Sekula

A New Instrument of Vision by Laszlo Maholy-Nagy

Seeing Photographically by Edward Weston

Tuesday, May 15, 2012

Reading

- The Work of Art in the Age of Mechanical Reproduction by Walter Benjamin
 
- Extracts from Camera Lucida by Roland Barths


- What has Occurred Only Once: Barthes's Winter Garden/Boltanski's Archives of the Dead by Marjorie Perloff


- Benjamin and the Political Economy of the Photograph by W. J. T. Mitchell



Post a short (two – three paragraph) synopsis of the readings on the class blog. In addition to each text synopsis you are to provide a brief autobiographical summation of the author.



Bring to class quotes and subjects to discuss from the readings