Course Description

In this course, students will examine contemporary philosophical, historical, aesthetic and epistemological topics by addressing the evolution of discourse from the Enlightenment into the 20th century. A comprehensive selection of theorists and critics who address visual semiotics and the taxonomy of imagery and ideas will be introduced. Active discussion and participation will be a core requirement.

Tuesday, May 29, 2012

Readings due: 5/30

Rhetoric of the Image by Roland Barthes 

A Photograph by Umberto Echo 

Looking at Photographs by Victor Burgin

Sunday, May 20, 2012

Readings due: 5/23

On the Invention of Photographic Meaning by Allan Sekula

A New Instrument of Vision by Laszlo Maholy-Nagy

Seeing Photographically by Edward Weston

Tuesday, May 15, 2012

Reading

- The Work of Art in the Age of Mechanical Reproduction by Walter Benjamin
 
- Extracts from Camera Lucida by Roland Barths


- What has Occurred Only Once: Barthes's Winter Garden/Boltanski's Archives of the Dead by Marjorie Perloff


- Benjamin and the Political Economy of the Photograph by W. J. T. Mitchell



Post a short (two – three paragraph) synopsis of the readings on the class blog. In addition to each text synopsis you are to provide a brief autobiographical summation of the author.



Bring to class quotes and subjects to discuss from the readings