Re-Reading Edward Weston: Feminism, Photography and Psychoanalysis by Roberta McGrath
Cindy Sherman: Burning Down the House by Jan Avgikos
The Photograph as an Intersection of Gazes the Example of National Geographic by Catherine Lutz and Jane Collins
Course Description
In this course, students will examine contemporary philosophical, historical, aesthetic and epistemological topics by addressing the evolution of discourse from the Enlightenment into the 20th century. A comprehensive selection of theorists and critics who address visual semiotics and the taxonomy of imagery and ideas will be introduced. Active discussion and participation will be a core requirement.
Tuesday, July 24, 2012
Friday, July 13, 2012
NEXT CLASS
Next class:
I. Two page paper on gallery exhibition with a concentration on identified artist(s).
II. Ten minute presentation reflecting your thesis and perspective identified in your paper (please be sure to include images to support your thesis).
III. Reading (please post your reaction to the reading to our blog):
Liz Wells
Words and Pictures: On Reviewing Photography
If you have any questions please feel free to contact me.
I. Two page paper on gallery exhibition with a concentration on identified artist(s).
II. Ten minute presentation reflecting your thesis and perspective identified in your paper (please be sure to include images to support your thesis).
III. Reading (please post your reaction to the reading to our blog):
Liz Wells
Words and Pictures: On Reviewing Photography
If you have any questions please feel free to contact me.
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